Reog is one of the cultural arts that originated from East Java and the north-west part Ponorogo Reog regarded as the true home town. The city gate was decorated by the figure Ponorogo Warok and gemblak, two figures who have appeared at the time reog performed. Reog culture is one area in Indonesia is still very thick with the smell of things mystical and powerful mysticism.
Basically there are five versions of the popular story that develops in the community about the origins and Warok Reog, but one of the most famous story is the story of the rebellion Ki Ageng Fleas, a royal servant during Bhre Kertabhumi, last king of Majapahit who ruled in the second century -15. Ki Ageng Fleas will anger the powerful influence of the Chinese partner in the government and its king, king of the corrupt behavior, he also saw that the power of the Majapahit Kingdom will be terminated. He then left the king and founded the university where he taught young children martial arts, science, self-immunity, and the science of perfection in the hope that these young children will be the seeds of revival again later Majapahit kingdom. Realizing that his forces were too small to fight the royal troops Ki Ageng the political message conveyed through the performing arts Flea Reog, which is a "hint" to the King and his kingdom Kertabumi Bra. Performances Reog become a way of Ki Ageng Flea build local resistance using Reog popularity.
In the show displayed a mask Reog lion-shaped head, known as "Singa Barong", the king of the jungle, which became a symbol for Kertabumi, and above it is plugged in peacock feathers to resemble a giant fan that symbolized the powerful influence of his Chinese colleagues who manage the over all movement geriknya. Jatilan, played by a group of dancers gemblak a rocking-horse became a symbol of the power of the Majapahit Empire troops who became Warok contrast ratio with the power, behind the red clown mask that has become a symbol for Ki Ageng Fleas, alone and sustain the weight that reached more masks singabarong of 50kg using only his teeth. Ki Ageng Reog popularity eventually caused Kertabumi Lice take action and attack perguruannya, a revolt by Warok quickly resolved, and forbidden to continue teaching college will Warok. But the disciples Ki Ageng lice continues it secretly. Even so, art is still allowed to own Reognya staged because the show has become popular among the public, but the way the story has added a new channel in which the characters from folklore Kelono Sewondono Ponorogo namely, the Goddess Songgolangit, and Sri Genthayu.
Official version of the story line Reog Ponorogo now is the story of the King's daughter Ponorogo who intend applying for Kediri, Dewi Ragil Yellow, but amid the journey he was intercepted by King Singabarong from Kediri. King Singabarong forces consist of peacocks and lions, while the part of the Kingdom of Ponorogo King and his Deputy Kelono Bujanganom, escorted by Warok (men dressed in black in the dance), and this Warok deadly black magic. The whole dance is a dance of war between the kingdom and the kingdom of Kediri Ponorogo, and complained of black magic between them, the dancers in a state of 'trance' during the dance stage.
Until now, people just follow what Ponorogo into their heritage as a very rich cultural inheritance. In his experience art is copyright Reog human creations that form the flow of an existing trust from generation to generation and maintained. The ceremony also use terms that are not easy for common people to meet them without a clear lineage. Parental lineage they embrace and customary law which still applies.
controversy!
Similar dances are danced Reog Ponorogo in Malaysia called Dance Barongan. This dance is also using a mask suddenly peacock, which is headed tiger mask on which there are peacock feathers. Descriptions and photographs of this dance is shown in the official website of the Ministry of Culture Arts and Heritage Malaysia.
Controversy arises because the sudden peacock mask to the official website there are the words "Malaysia", and acknowledged the heritage community of Stone chisels, Johor and Selangor, Malaysia. This triggered protests of various parties in Indonesia, including artists Reog Ponorogo origin stating that copyright Reog art has been listed with the number 026 377 dated February 11, 2004, and thus known by the Minister of Justice and Human Rights Republic of Indonesia. Information was also found that the peacocks suddenly looked at the official site is craftsman-made Ponorogo. Thousands of artists Reog had demonstrated in front of Malaysian Embassy in Jakarta. The Indonesian government said it would investigate the matter further.
In late November 2007, Malaysian Ambassador to Indonesia Datuk Zainal Abidin Muhammad Zain said that the Malaysian Government has never claimed Reog Ponorogo as the country's indigenous culture. Reog called "Barongan" in Malaysia can be found in Johor and Selangor, because Java was taken by the people who migrate to the country.
Tidak ada komentar:
Posting Komentar